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Tag Archives: drama

forbloodysummer’s “Why Are You Here, Your Majesty?”

13 Friday Oct 2017

Posted by Horizon in Features

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author: forbloodysummer, drama

Today’s story is here for a very good reason.

Why Are You Here, Your Majesty?
[Drama] • 8,405 words

Immortals are few and far between in Equestria, and they are all known to each other. Two of them are about to get to know each other a little better. Because one has just turned up uninvited in another’s private chambers. Maybe it’s time they had a chat?

FROM THE CURATORS: One of pony authors’ favorite pastimes is explaining the world behind the show, so it should be no surprise that we sometimes feature stories centering around headcanon exploration.  When we do, though, we look for something that makes it stand out from the pack.  “This fic is a changeling lore dump at its heart … but the selling point that vaults this above ‘another changeling fic’ is the way the story gets into Celestia’s head as she speaks with Chrysalis,” Chris said in his nomination, and that was one of the factors other curators also cited.  “‘If you forget the crime but remember the sentence, then you come to see yourself as the villain for passing it,'” Present Perfect quoted. “That line’s from Chapter 1. It’s fantastic, and a perfect example of what Chris is talking about.”  Which is not to downplay the also-strong headcanon: “There are some really interesting ideas on display here, particularly its explanation for why changelings act the way they do, and Celestia’s offer for Chrysalis,” Soge said.

But the entire package was tied together by the character at its center.  “What really caught my attention was the portrayal of Chrysalis,” Present Perfect said. “This goes through a number of motions similar to other changeling headcanon fics, but the look into her character here is wholly unique. Equal parts ‘misunderstood mother’ and ‘true tyrant’, but without any of her usual villainous bluster, Chrysalis is strangely vulnerable despite being able to keep her dignity.”  AugieDog agreed: “Chrysalis is presented as being at heart just as uncertain as Celestia, as playing a part just as thoroughly as Celestia. It’s an interesting take on both characters, and I quite enjoyed it.”

And although some of us disliked the prose, even that had its defenders.  “I found the prose to be quite effective for conveying the author’s take on Celestia,” AugieDog said.  “She’s constantly second-guessing herself, constantly trying to convince herself that she’s doing the right thing, and we’re immersed so deeply in her viewpoint that the repetition in the writing just reinforced her uncertainty in my mind.”  That structure also strengthened the piece’s themes, Chris said: “The weighty yet natural-sounding dialogue would be effective on its own, but seeing the princess’ thought processes play out, and how the little conversational gambits unfold, gives this a little more oomph.”

Read on for our author interview, in which forbloodysummer discusses rainbow vocabulary, bedroom teleportations, and secret metal obsessions.

(NOTE: The interview contains significant spoilers for the plot and ending of the featured story; the author suggests reading the story first.)
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DrakeyC’s “Long Live The Queen”

16 Friday Jun 2017

Posted by Horizon in Features

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author: DrakeyC, dark, drama, sad

Today’s story explores the consequences of a royal error.

Long Live The Queen
[Dark] [Drama] [Sad] • 6,853 words

During her time-twisting battle with Starlight Glimmer, Twilight finds herself in an Equestria ruled by a tyrant alicorn that calls herself the Queen of Equestria. In this world, Twilight’s friends are gone and beyond her aid, and Equestria’s citizens live in fear of their ruler’s wrath should they anger her.

The Queen herself suffers worst of all.

FROM THE CURATORS: One of the great joys of fanfiction is that it can explore topics we know the show won’t cover — and one of the greatest pleasures in reading fanfiction is finding a story which can do that while remaining faithful to the source material.  “I think the highest praise I can give this story is that it feels exactly like what we would have seen in the show if the show ever acknowledged the existence of the Equestria Girls movies,” Horizon said, and Present Perfect explained: “It slots in well to Cutie Re-Mark by virtue of being the ‘Sunset Shimmer bad end’ universe.”  That merger drew broad praise: “It’s a solidly put-together glimpse of yet another way Equestria could’ve gone sideways,” Chris said.

The reasons for that quality were wide-ranging and spoke to the story’s depth.  “This manages to get into the ‘Queen of Equestria’s’ character without resorting to lazy storytelling,” Chris said.  “It explores its dystopia succinctly and without a lot of overdone angst, has a nice mid-story reveal, and the ending is a nice mix of bittersweet and hopeful.”  And while several of us found the early going exposition-heavy, we found that eclipsed by the story’s powerful second half.  “It would’ve been so much stronger if Twilight and Spike had been forced to leave the map rather than wandering away from it on their own, and there is an awful lot of standing around and explaining,” AugieDog said.  “But from the reveal in the middle on out, the slowly dawning horror of the AU is handled very nicely.”

And despite that Alternate Universe tag, this was a story that had a great deal to say about the world of the show.  “I’m especially impressed by the way that the tone works both as a standalone piece and as a poignant contrast to the unrepentant villains of Cutie Re-Mark’s bad timelines,” Horizon said.  “That examination of a world doomed despite regrets and good intentions is a powerful one.”  And one that will stick with you, as AugieDog said: “I found the ending to be positively haunting.  Sunset knows she’s trapped, she knows it’s her own fault, and she knows her best chance to make things right again.”

Read on for our author interview, in which DrakeyC discusses bad OC origins, evil Scootaloo, and Final Fantasy fillies.
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Bradel’s “Three Nights”

02 Friday Jun 2017

Posted by Horizon in Features

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author: Bradel, drama

Today’s story will bring a touch of warmth to any metaphorical winter.

Three Nights
[Drama] • 18,539 words

Hearth’s Warming Eve is supposed to be a happy event — Cadance knows this, but all she ever feels is lonely. Now, with Shining Armor gone and a freak snowstorm battering her kingdom, it’s up to Cadance to salvage the holiday and teach her crystal ponies to care for one another.

A story about finding your family, on the coldest night of the year.

FROM THE CURATORS: When Chris first reviewed this story several years ago, he wrote, “I was planning to suggest to the other Royal Canterlot Library guys that we feature it … but when I went to write up the proposal, I realized the story was written by Bradel, who’s part of the RCL, and ineligible for featuring.”

But now, after three years “in harness” as it were, Bradel is stepping down from his post as a curator around here. We’re sad to see him go, of course, but it does mean we can feature what Soge called “a Hearths’ Warming story, but it’s also so much more.”

“It not only paints a terrific picture of Cadance on three distinctly important days in her life,” AugieDog said, “but it also gives us a nicely realized glimpse of Twilight as a filly and a wonderful picture of the Crystal Empire still emerging from the nightmare of Sombra.” “Emotional without piling on dramatic excesses” was how Chris put it, with Soge calling it “timeless” and adding “I loved every second of it.” Present Perfect noted how the story is “about Cadence suddenly being thrust into things and having to grapple with not quite fitting in: a family, a horn, a kingdom” and ended by saying it was “the kind of emotional Cadence story I enjoy reading.”

Read on for our author interview, in which Bradel discusses recorded carols, DISEMBARKING PONIES, and IRL Mary Sues.
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Trick Question’s “Motherly”

26 Friday May 2017

Posted by Horizon in Features

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author: Trick Question, dark, drama, sad

Today’s story is rated PG-13 due to parental guidance.

Motherly
[Dark] [Drama] [Sad] • 3,617 words

All mothers love their children, and all mothers feed their children. Princess Chrysalis and her mother are no different, except that to a changeling, “love” and “food” are the same thing.

Well… mostly.

FROM THE CURATORS: While the recent Imposing Sovereigns contest inspired a number of unusual takes on Equestria’s ruling princesses, it also inspired some strong reinterpretations of more well-trodden subjects.  “This is certainly not my first time seeing some of these concepts of an alien, uncaring Changeling race with a completely flipped morality system,” Soge said of Motherly, “but the execution here makes all the difference.”  Indeed, that execution was remarkably wide-ranging while still keeping a recognizable core.  “Touching on subjects like strength and weakness, pride and disdain, power and deceit, this story still somehow felt very Pony to me,” AugieDog said.  “A difficult feat for a story with these tags.”

Over and over, it was that well-chosen approach which most impressed us.  “The author tends toward the dark,” AugieDog said, “but here, that style really suits the subject matter: the intertwining of love and cruelty in the pre-sherbet-fairy-moose changeling world.”  Present Perfect was impressed by how it also intertwined with the show: “This is a really good way to use the changeling canon we were granted in Season 6 — arguably one of the best things to come out of that season.”  And while Horizon disagreed, he found just as much to appreciate: “I don’t know how much of the new canon I see in this, but its laser focus on the intersection between emotion and sustenance is really to the story’s credit, and the story it tells with that idea is a strong one.”

But rich characters and character conflicts also helped make this piece exemplary.  “The Queen, in fact, is hands-down the best part of this piece,” Present Perfect said, “at first coming off the stern matriarch one would expect from changelings, but showing by the end that she really does care about what happens to the hive, even if changelings have a very strange way of showing things like care. Her self-sacrifice gives her depth and nuance.”  And that gave the family drama depth and nuance of its own.  “It manages to steadily build up to a surprisingly emotional climax, with some poignant considerations about the nature of love,” Soge said, “and how the feelings in the relationship between parent and offspring can be expressed in complex, and even contradictory manners. Great stuff.”

Read on for our author interview, in which Trick Question discusses interrobang reflections, disagreement hugs, and draconic gut shots.

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Correct the Record winner: bookplayer’s “Lost Time”

19 Friday May 2017

Posted by Horizon in Features

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author: bookplayer, correct the record, drama, refeature, romance

(Editor’s note: Imploding Colon [aka previous featuree shortskirtsandexplosions] declined a refeature for Austraeoh, our top vote-getter.)

Our recent “Correct the Record” contest asked readers to help us choose authors whose previously spotlighted stories weren’t the best showcase of their writing strengths.  Fitting, then, that today’s feature is about a romance being forgotten.

Lost Time
[Drama] [Romance] • 59,897 words

Rainbow Dash can’t wait for her first date with Applejack; they always have an awesome time hanging out, and a relationship just means there are even more physical activities they can try together. So when the dumb zap apple harvest postpones their date, she decides it’s the zap apples that are going to have to change their plans. Equestria should know by now that wild, ancient magic is no match for Rainbow Dash, especially when she might get laid.

Everything is going according to plan, until she crashes. Or, rather, until she wakes up after crashing and fifteen years have gone by. Fifteen years during which she seems to have been a very busy pony.

Now Rainbow Dash has to adjust to a life she never thought she wanted, and figure out if she’ll ever get to live the life that brought her here.

FROM THE CURATORS: The case for correction here was both simple and compelling. “[Previous feature] Of Cottages and Cloud Houses … does not reflect bookplayer’s claim to fame: shipping romance,” Catalysts Cradle said in Lost Time’s nomination.  “This is a really well planned and well executed story that touches on a lot of deeper themes absent from many other ship fics.”  Our curators quickly agreed.  “All I can say is, our audience has great taste,” Horizon said, amid superlatives like AugieDog’s: “This beat a story of mine in a contest and is also one of my favorite pony stories ever written.”

The main element driving our appreciation was the story’s novel approach to its central romance.  “In a lot of ways, Lost Time takes the idea of ‘Alien Shipping Syndrome’ and turns it inside out,” AugieDog said, “throwing Dash into what seems to her to be a sudden relationship with AJ and then not only showing us how that relationship developed but showing us the characters as they are now beginning to develop a new relationship.”  Horizon also commented on that multi-layered approach: “What’s remarkable about this is that it’s three stories in one — the romance with displaced Dash, the relationship drama with older Dash’s family, and the character drama of displaced Dash’s lost 15 years — all of which work both individually and together.”  And Present Perfect praised the core maturity: “This is, as I put it to myself, a very ‘grown-up’ fic,” he said.  “It’s very focused on the minutiae of a relationship, the meaning of marriage, the full weight of responsibility that having kids requires of a person. You just do not see people writing fanfics about that, and it’s the reason I love this as much as I do.”

The icing on this romance’s cake was exemplary character work.  “Dash is really marvelously used in the central role, contrasting her self-centered approach to daily life with her core loyalty, and naturally building a compelling drama out of that tension,” Horizon said.  “And the children are fantastic supporting characters — whip-smart without being written as tiny adults. Trying to maneuver around them adds an extra layer of complexity to the relationship difficulties. The dinner-without-vegetables scene in particular sticks out in my mind as heartbreaking.”  But equally compelling was the work put into the plot: “On a story level, too, everything dovetails so very nicely,” AugieDog said.  “The revelations in the last chapter are the best sort of revelations because I didn’t at all see them coming, but looking back, I can see them all making perfect sense.”  It all added up to a story deserving of its accolades, as Present Perfect said: “This is really just one of the absolute best fics I’ve read, period.”

Read on for our (all-new!) author interview, in which bookplayer discusses prompt tag, sizzles sold, and Star Wars rejections.

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Super Trampoline’s “Feeling That Way”

14 Friday Apr 2017

Posted by Horizon in Features

≈ 1 Comment

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author: Super Trampoline, drama, second person, slice of life, tragedy

(Note: We’re looking to re-feature three of our spotlighted authors, in order to offer them spotlights on stories more representative of their writing!  Our “Correct the Record” contest runs through Sunday, April 23.  Weigh in with your votes and nominations on our FIMFiction thread.  For a “ballot” with a compiled list of nominations and voting links, check this spreadsheet.)


Today’s story brings home the consequences of war.

Feeling That Way
[2nd Person] [Drama] [Slice of Life] [Tragedy] • 1,020 words

You’re drenched in sweat and ennui. She’s fighting the enemy, and you’re fighting depression. Stuck forever in a nowhere town, you try to rise above inertia, but you only end up feeling useless. You’re always feeling that way.

FROM THE CURATORS: When stories tackle challenging topics and perspectives, it’s all the more impressive when they stick the landing.  “While war fics are often a hard sell, this one works by recognizing that,” Present Perfect said in Feeling This Way’s nomination.  “The threat is nebulous and frightening, and since the idea of war doesn’t fit into pony society, the recognition of that makes this feel like a distinctly pony piece.”  And he wasn’t the only one impressed.  “This is certainly a great story, capable of imparting powerful emotion in so few words, subtle in its details, and yet very direct in its approach,” Soge said.  “It walks that fine line between melodrama and genuine emotion splendidly.”

But this story’s main claim to fame is more unusual: This is the RCL’s first feature with the Second Person tag.  “The use of second person strikes a very tight balance,” Present Perfect said.  “Third person would have been too distant for the emotions to hit home, while a first-person narrator likely would have been too familiar, spending time contemplating what certain emotions mean. Instead, we’re fitted into this pony’s life in no uncertain terms right at the start, and get to live out the story through his eyes.”  AugieDog agreed: “For me, the 2nd person works in the sense of the character talking out loud to himself, and I found it quite effective given the dry and dusty sense of madness lurking around the edges.”  And even the dissenters, like Horizon, were impressed with the power of the story. “I’m not as sold as PP on the benefit of the second person here, but that’s not the draw,” he said.  “The big thing right is the effective and efficient storytelling that is packed into the story’s thousand words.”

That quality of writing was apparent both in the large and small.  “I love how it manages to paint a history so rich in details without actually being explicit about any of them,” Soge said, while it was its thematic solidity which impressed Horizon: “All of the beauty is abstract and environmental to contrast with the personal doubt and pain, nicely reinforcing the main theme. The wham line at the end of the mine-tailings discussion is delivered basically perfectly, and adds a sense of layered tragedy.” The overall effect, as AugieDog said, was a hard-hitting short story: “This is very much about being frozen in place, but it still manages to present the reader with an entire world and a couple of characters who have to live in that world.”

Read on for our author interview, in which Super Trampoline discusses olines, happy horse noises, and strap-on horns.
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McPoodle’s “The Perfect Little Village of Ponyville”

24 Friday Mar 2017

Posted by Horizon in Features

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adventure, alternate universe, author: McPoodle, comedy, drama

Open your eyes, and you’ll find that today’s story is quite a sight.

The Perfect Little Village of Ponyville
[Adventure] [Alternate Universe] [Comedy] [Drama] • 35,747 words

Vinyl Scratch wakes up to find herself the personal student of Princess Celestia, sent to the obscure village of Ponyville to oversee preparations for the millennial Summer Sun Celebration.

Vinyl can only imagine two possible explanations for what has happened: she has tumbled into an alternate universe where she’s Twilight Sparkle, or, after everypony telling her she’d do it eventually, she’s finally gone and lost her mind.

FROM THE CURATORS: Six seasons in, it can be interesting to return to some of the fandom’s earliest tales — and occasionally, quite rewarding as well.  “I’ve got some metafiction for y’all, from all the way back in the dimly remembered time of 2012,” Chris said in his nomination.  “Don’t be fooled by its age, though: this fic still holds its own, five years later.”  And, indeed, we found the quality of this fic leaping right off the page at us.  “The narrative voice just drew me right in as did the simple, sweet writing,” AugieDog said.  “I dislike the phrase ‘a facility of language’ because it’s so pretentious, but that’s exactly what I found myself thinking it demonstrated about halfway through chapter one.”

The main element drawing our praise, however, was the unusual way this gambled with its structure — and the rich way that gamble paid off.  “This is a fic which you have to give the benefit of the doubt, but I found that my tentative acceptance was repaid in spades,” Chris said.  “For example, there is in fact a reason why the narrator occasionally interjects to comment on the narrative structure.”  AugieDog agreed, with a musical twist: “Appropriately enough for something with so much music in it, this is a perfect example of what I’ve always thought of as ‘con brio’ storytelling,” he said.  “Right from the first dozen paragraphs, the author leaps off the narrative cliff while saying, ‘Leap off with me, and it’ll be well worth your time.'”  And Horizon appreciated the way it put those choices to deeper use: “It makes no apologies or excuses for its structural oddity, and not only manages to back-justify it, but also manages to use that unique narrative format to unroll character and plot.”

Add that to the richness of detail, and we found this an easy winner.  “All the flourishes around the edges really make it shine,” Chris said.  “The musical theme of the world (matching Vinyl’s interests) is just the most obvious and the one I’m best acquainted with, and it’s so well-formed.”  That those details were integrated so neatly into the story was the icing on the cake.  “We’re treated to a smorgasbord of cool headcanon that largely has retained its luster six seasons later,” Horizon said.  “I liked, for example, the explanation for Luna’s mane, and the addressing scheme for dragonfire letters — all the more so since that seemingly inconsequential detail smoothly shifts into a major plot point.”

Read on for our author interview, in which McPoodle discusses pessimistic inventresses, confounding satires, and repairing the perfect movie.
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Word Worthy’s “In Amber Clad”

17 Friday Mar 2017

Posted by Horizon in Features

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author: Word Worthy, drama, slice of life

Wrap yourself in today’s story for an unusual take on a princess’ tale.

In Amber Clad
[Drama] [Slice of Life] • 1,484 words

Forged in fires of magic and charcoal. Worn with pride, damaged in battle after battle in times when ponies were no strangers to war. Repaired again and again. A regal mare’s suit of armour tells a small but significant part of her story.

FROM THE CURATORS: We’re always on the lookout for exemplars of the wide range of stories that can be told through fanfiction — which put this unusual examination of Princess Luna’s rise, fall, and rehabilitation right in our sweet spot.  “This is a nice historical piece, giving us a first-hand view of Equestria’s lengthy litany of conflicts, great and small, and it’s all told by Luna’s armor,” Present Perfect said.  “An interesting concept, and probably the thing that really makes this shine, no pun intended.”  He wasn’t the only one to note the piece’s ambitious scope.  “This walks the reader admirably from a pre-Equestrian time all the way to show (and comic) canon,” Soge said.

Much of our debate on the story, oddly, centered on the story not feeling unusual enough.  “This is less ‘what would a set of armour think/feel/believe’ and more ‘a well-known story told from a different angle’,” Chris said.  “Still, this story does combine a ‘faithful servant’ theme with the general plot of Luna’s ascension/fall/redemption.”  Soge was among the dissenters: “While the voicing of the armor isn’t particularly unique, I’d argue that the things it chooses to focus on are.” And Horizon found that compromise a strength: “It manages to make a potentially gimmicky story feel comfortable and plausible,” Horizon said. “And while it felt like a triumph of idea over execution, the prose didn’t get in the way of the idea.”

What tipped the story over the top were the little touches of worldbuilding that showed us MLP’s cast from a different angle.  “I also like the characterization provided through little touches like Luna’s reasoning for the armor’s form — which economically tells us a lot both about the narrator and the princess,” Horizon said.  Present Perfect agreed: “The armor even gets a little characterization when it encounters the armor Luna wears as Nightmare Moon,” he said.  “If anything about this story sticks with me, it’s that scene.”

Read on for our author interview, in which Word Worthy discusses diplomatic rifts, inside-out hats, and X-Files research notes.
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cleverpun’s “If You Came to Conquer”

27 Friday Jan 2017

Posted by Horizon in Features

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alternate universe, author: cleverpun, dark, drama

If you came for a solidly built Alternate Universe fic, today’s story delivers.

came-to-conquerIf You Came to Conquer
[Alternate Universe] [Dark] [Drama] • 5,959 words

Nightmare Moon won. She defeated Celestia, broke the Elements, banished the sun. This all happened a very long time ago. So long ago, that she has had plenty of time to change her mind.

Of course, fixing our mistakes is never so simple, and never without consequences. Even with particularly potent help.

FROM THE CURATORS: “This is an intriguingly crafted AU whose version of Nightmare Moon feels entirely plausible and whose Discord is quite solidly done,” Horizon said when nominating this fic.  “The story feels appropriately sparse and mythic, but what makes this worthy of the Library is the meditation on forgiveness.”  It quickly caught our attention on multiple levels.  “‘Nightmare Moon won’ is one of the oldest AU cliches there is, but cleverpun manages to use the idea to good effect here,” Chris said, while AugieDog brought out the superlatives early: “The scene at the end of chapter one is about as devastating a thing as I’ve ever read in a pony fanfic.”

But while our reactions to the story cited different strengths, one thing on which we all agreed was how powerfully it developed its premise.  “Just when you think you’ve seen the big reveal, everything escalates to another level,” Present Perfect said.  “And that ending, wow.”  Chris agreed: “The ending is the clear highlight to me, nailing that ‘surprising when you read it, obvious in hindsight’ effect that a good twist aims for.”  Meanwhile, Horizon praised how thought-provoking it was: “The story’s climax is effective horror that brings up some significant moral questions.”

And while the story worked powerfully on its own merits, several of us felt that it was best appreciated as part of the trilogy which it spawned.  “‘Conquer’ is a nicely twisted idea presented in a nicely twisted way,” AugieDog said, “but I would call the two sequels required reading, since they complete the story arc in such a wonderfully tidy fashion.”  Horizon agreed: “Continuing to read the sequels is very much worth your time.”

Read on for our author interview, in which cleverpun discusses blanket patterns, awkward melanges, and B-grade splatter films.
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Impossible Numbers’ “Lapidify: To See And Die”

20 Friday Jan 2017

Posted by Horizon in Features

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author: Impossible Numbers, drama, horror

Today’s story features some rock-solid storytelling.

lapidifyLapidify: To See And Die
[Drama] [Horror] • 11,705 words

Ambergris is a pony of few pleasures, and being called out for meaningless social events is not one of them. When he bows to duty and attends, however, he barely reaches the home of his host before he is faced with something worse than tedious conversation. Something far worse.

The dreaded cockatrice, a creature capable of turning others to stone with a simple glance, has just entered the home of his host. Now a mere nuisance of an evening has become a monstrous nightmare, but as Ambergris struggles to save the occupants of the house, he must also struggle against the pressures mounting in his own mind.

FROM THE CURATORS: When RCL alumnus Skywriter offered this as a reading suggestion, describing it as “claustrophobic pony horror done the right way,” we found a great deal to like — starting with the lush narrative voice.  “Oh, this is lovely,” Chris said.  “The British Imperial tone of the narration fits perfectly with a story that blends foreign and familiar in its setting, and which explores pony race relations in the way this does.”  Present Perfect agreed: “I’d say the big draw here is the narration. Ambergris has a very strong, consistent voice, and the overall style of language is very pleasing.”

And while the horror was certainly effective, what drew the most consistent praise was the well-realized and imaginative setting.  “For me, the atmosphere was the big thing,” AugieDog said.  “The weirdness of the non-Equestrian setting and the hybrid building where most of the action takes place; the ‘haunted house’ aspect of having a monster with a sort of intelligence behind it; the matter-of-factness of the sentiment that ‘every town has this kind of dark wilderness somewhere nearby.'”  Horizon loved the worldbuilding: “Some awesome elements, like the mixture of pegasus and earth construction, are almost worth the price of admission by themselves.”  And Chris found those things accentuating the horror: “The physical setting is beautifully realized, with the cross-cultural house practically a character in its own right in the tense middle section,” he said.  “And how tense it is! There is some wonderful work here, keeping the readers on the edge of their seats.”

In short, this was a tightly-knit story where everything contributed to the ultimate impact — including its fine balancing act with canon.  “I’m really impressed with how this story takes a familiar monster from the show, instead of the more common otherworldly or bloodthirsty horrors of other fics, and uses it to great effect,” Present Perfect said.  “We know what a cockatrice is, we know what it does, but there are enough details thrown in here to create enough of a sense of the unknown that the horror can pervade the reader.”

Read on for our author interview, in which Impossible Numbers discusses cartoon gravity, deathless wars, and terrifying chickens.
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