Today’s story is on point.
[Slice of Life] • 1,437 words
Relevé: position in which the dancer rises from any position to on one or both feet on at least demi-pointe, or possibly full pointe
She’s done the simple Rainbooms choreo, the square dancing with her family, the silly free-styles with her friends. But today, Applejack wants to try something a bit different, something she’d never expected to be interested in.
You would think attending Canterlot High would teach her to expect the unexpected.
FROM THE CURATORS: “An important story,” Present Perfect mused. “Not just a story about a tomboy trying to be feminine, this is about Applejack trying to break her own mold.” Soge called it “a delightful tale of societal expectations—both internal and external” in his nomination, and FanOfMostEverything likewise appreciated choosing Applejack as the story’s focal character, because “the fact that it’s so unexpected for her only makes the concept work better.”
“She’s getting out of her comfort zone, doing something that no one would expect her to, because it mystifies, intrigues and delights her. Her own joy when she accomplishes just one tiny bit of what she set out to do is palpable,” Present Perfect went on to say. And that joy, that excitement, is tempered by insecurity—Soge saw right away that “her passion for something which she thinks others will misjudge her for … is instantly relatable for people in all walks of life.”
FanOfMostEverything acknowledged how easy it would have been for this particular conceit to fail, pointing out how “stories that draw on the author’s experiences can sometimes feel both invasive and false to the characters used to replicate those experiences,” but he was happy to find that this work “avoids that entirely.” AugieDog agreed that the author completely sold him on “how Applejack might actually find something in the artistry of ballet that speaks to her” and felt it succeeds as “a nice insight into the character … I always enjoy it when authors have such a good feel for one of the show’s characters that they can take that character to a place the show never would and still have it entirely work.”
A classical ballet can mean hours of dancing, but “Relevé” economizes, distilling its story down into just one movement, and that was all it needed. Soge appreciated that “its core conflict is so well built, and the character work is so precise, that it feels much weightier than its paltry word count would suggest.” FanOfMostEverything felt the same way: “It’s brief, but uses what’s there with incredible efficiency. This is a single dance, not a full recital, but the artistry involved is undeniable.”
Read on for our author interview, in which Cillerenda discusses reading above your grade level, the freedom of artistry, and juxtaposition.