Tag Archives: thriller

Muramasa’s “The Thief and the Princess”

12 Friday Oct 2018

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Don’t let today’s story slip past you unnoticed.

thief and princessThe Thief and the Princess
[Slice of Life][Thriller] • 3,252 words

In the dead of night, a thief breaks into the royal palace in Canterlot to steal Celestia’s crown. She successfully sneaks through the palace and enters the room where this prize possession is kept, with not a soul the wiser.

Well, save for a certain Princess.

FROM THE CURATORS: “Amazing characterization,” said Soge in his nomination. “It certainly impressed me … casting Twilight in a typical Celestia role, and allowing her to shine in comparison to her mentor by having her take a decidedly Twilight approach to conflict solving.” The other curators echoed his impressions. “The author said they were trying to give Twilight a more mature, serene portrayal and I think they nailed it,” RBDash47 said, and AugieDog chimed in that he’s “always glad to see Twilight acting in her capacity as princess.”

The first character named in the title also drew praise. “A very compelling portrayal of its titular thief, of her craft and her approach to problem solving,” said Soge. “I also love Cerise’s motivation,” Present Perfect agreed. “She wants to become a legend, a fairy tale, if only she can just pull off this heist, the theft of something so precious, most ponies don’t know it exists.” AugieDog appreciated the author “letting us get to know Cerise first, then slipping us over to see how Twilight deals with the situation Cerise has created.”

But there’s more here than deft character work. “What gets me about this one is the atmosphere. It’s extremely well detailed, and palpably tense,” Present Perfect said. “It manages to weave throughout the narrative the tried-and-true ponyfic theme of destiny, and how it can be challenged and re-interpreted,” said Soge. RBDash47 loved “the idea of ‘whatever you are, be a good one’ subverted by an (apparently) negative destiny.” Present Perfect summed things up nicely: “As short as this is, there’s a lot packed into it.”

Read on for our author interview, in which Muramasa discusses cursed blades, constructive criticism, and illegal cutie marks.

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OnionPie’s “What is Left”

09 Friday Mar 2018

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Today’s story is an addicting read.

What is Left
[Dark] [Sad] [Thriller] [Tragedy] • 24,301 words

Five years of cheap thrills in the big city have left Sweetie Belle in bad debt with dangerous ponies. Forced to pay up, she returns to Ponyville to seek money from an estranged sister she loathes with a passion.

FROM THE CURATORS: We’re all here because we appreciate the pastel friendship aesthetic of My Little Pony — but fanfic wanders considerably farther afield, and there’s also beauty sometimes in bleakness.  “This is dark and depressing in all the right ways — the closest point of comparison would be the tone of Fallout: Equestria – Project Horizons‘ darkest chapters, honestly,” Soge said in his nomination.  “Even when, halfway through the story, this fic leads you to believe things might be changing for the better, it shatters that illusion in three paragraphs in such an amazing way that I had to just step away from the story to process everything. It is a hard read, but very rewarding.”  Although all of us commented on that darkness, this earned a feature on the sheer power of its story, as Present Perfect said: “It won’t be for every reader, as the profanity, violence, drug use and general malaise of depression run severely counter to the show which inspired the piece. But this is gritty, troubling and devastating in all the right ways.”

The core of that was how we saw prose quality in every direction we turned.  “It helps that the writing is top-notch, atmospheric and evocative in a way that really drives home the despair of the situation, yet managing to contrast the reality of what is happening with well-placed touches of beauty,” Soge said, while Present Perfect was drawn deeply in: “it sure doesn’t hurt that the thriller aspect of the plot is gripping as anything; I accidentally read the whole story in one go because I couldn’t put it down.”  Even the elements we found controversial were handled thoughtfully.  “The profanity is actually well-used here, the drug-use stuff seems to me to be firmly on the fantasy side, and while I found the set-up to be a little slow, the gut-punch ending makes it worth it,” AugieDog said.

Characterization was another strong point.  “While both Rarity and Sweetie Belle are obviously very different than their show counterparts, there is a core of their characterization that is still present, and it helps drive home that this is something that could happen,” Soge said.  Present Perfect called them both “excellently flawed,” adding that “the villain is intimidating and memorable. The tragedy is palpable, and that atmospheric, evocative writing Soge refers to suffuses every last instant of the narrative.”  What sealed our feature was that this won over even curators turned off by darker material.  “I set a higher bar when it comes to dark Ponyfic,” AugieDog said.  “If a story wants to have cute ponies not being cute, well, then that story’s got to prove itself to me, and this story proves itself quite handily at every turn.”

Read on for our author interview, in which OnionPie discusses tragic beauty, culmination preparation, and sister hugs.
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ponichaeism’s “The Mare In The High Castle”

20 Friday Mar 2015

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Broadcasting on all frequencies, today’s story comes to you from an Equestria that’s turned dark in more ways than one.

mare-in-high-castleThe Mare In The High Castle
[Alternate Universe] [Dark] [Drama] [Mystery] [Sci-Fi] [Thriller] • 161,695 words

“Hello, hello, hello, this is Thorny Bends coming at you live on Radio Free Canterlot, and from where I’m sitting, folks, the Land of the Eternal Moon is looking lovely. Well, except for that nasty smog cloud rolling toward us from the coast, but hey, that’s the price of progress. Still, if you’re heading outside you might want to think about an Easy Breezy-brand respirator, guaranteed to make the air taste like new. Buy yours from all major retailers today!

“As I’m sure you all know, it’s been almost a thousand years since the founding of our great civilization. And as the big day approaches, I sure hope the High Castle set their clocks right. I’d hate to find out it was really last Thursday. Ha! But seriously, folks. I’ve been doing a fair bit of thinking about our fair Canterlot, and I’ve realized it isn’t just somewhere we all live. It’s what we build together into something greater as we all reach for the moon. A symbol for a way of life and a state of mind. So, in honor of the thousand years, I’m taking an eye in the sky peek into the lives of the ponies on the streets, and a few in the penthouses too. I don’t often do real news on this show, but these are some genuine equine interest stories, folks. In their own small, unique way, these ponies are as vital to the city as the princess of the night herself. So settle down, get comfortable, and don’t touch that dial.

“You won’t want to miss this, I guarantee.”

FROM THE CURATORS: This story’s path to its feature started with a suggestion on our recommendation thread, and despite its 160,000-word length, it caught our attention right away with its vivid portrayal of an eternal-night Equestria.  “This story is far from being merely a pony re-write of Philip K. Dick’s The Man in the High Castle,” JohnPerry said.  “The level of thought that went into developing this nightmarish — yet eerily familiar — alternate world and its cruel philosophies is astounding, and it manages to combine an epic scope with surprisingly intimate portrayals of its characters.”  Chris agreed: “This is a wonderful use of the AU tag. It takes a single conceit — that something went differently a thousand years ago — and projects how that one change would reverberate to the present, butterfly-in-China-style.”

We all agreed that the characterization which followed from that shift was exemplary, and Horizon cited one of High Castle’s central examples. “Twilight Sparkle spends the vast majority of the story as a reprehensible alcoholic racist haunted by nightmares,” he said, “and yet the entire setting and theme of the story are crafted so as to make it clear that she is that way because their world is fundamentally broken, and the Twilight we see is just a reflection of that.”  JohnPerry agreed, adding, “it’s incredible how ponichaeism managed to make the characters recognizable in spite of all the horrors of the world they are subjected to.”

The story doesn’t flinch from presenting those horrors as necessary to explore the dark corners of its premise, which earned high praise from Chris. “Can we take a moment to talk about Granny Smith?” he said.  “Because she’s where the author most impressed me on the pacing front. … She’s slotted in right where she needs to be to have maximum impact with minimum premise-questioning by the readers, and (up until the end) that’s how I felt about most of the big revelations.”

But The Mare In The High Castle isn’t just a parade of bleakness.  “It has a lot to say about the earth counterparts of the things it ponifies, but it has a lot to say about the ponies at the same time, and this is fundamentally and unquestionably MLP at heart,” Horizon said.  “For instance, this is the finest Flash Sentry story this fandom will ever produce.  He’s just as broken as the rest of this world, but he owns it, and he stands up and shows us that there can be beauty regardless.  I want to feature it for that alone.”

Read on for our author interview, in which ponichaeism discusses Gnostic sects, uncarved blocks, and the curious collision of Jeff “The Dude” Lebowski and Philip K. Dick.
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